Strutting out of the historic town of Doylestown, Pennsylvania, Ceramic Animal forge an original and exciting new sound from glam, post-punk, psych rock, ’70s pop, and so much more. Just as crucially, this band of brothers--Chris Regan (vocals, guitar), Erik Regan (drums), and Elliott Regan (vocals, keys), along with childhood friend Anthony Marchione (guitar) and Dallas Hosey (vocals, bass)—have found success on their own terms, bucking industry conventions to attract a large and far-flung fan base spanning generations and genres. They’re already a success story based on their first three self-funded, self-produced, and self-released albums.

Their fourth, however, shows the spoils of their success. Recorded with Dan Auerbach at his legendary Easy Eye Sound studio in Nashville, Sweet Unknown is their most mature, their most imaginative, their most daring to date, colliding the glitter-stomp of T. Rex, the rock-and-roll decadence of any-period David Bowie, and the extravagant melodicism of Todd Rundgren.
Musically exuberant, these ten new songs are shot through with an undercurrent of sadness, with songs like “Long Day” and “Private Dancer” and even the rip-roaring closer “Valerie” addressing loss, absence, and estrangement. It’s an album that grabs you by the lapels on first listen, but tells you dark secrets with every subsequent spin.

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